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If 1964 was the year of the single, 1966 was the year of the album. The music industry shifted from "pop" toward "rock" as an art form.

Magazines like LIFE and Look were the primary way people consumed visual news, but 1966 also saw the rise of the "underground press." These publications began documenting the burgeoning hippie movement in San Francisco and the anti-war sentiment that would soon define the late 60s. Why It Still Matters 60 years old man 14 years young girl xxx 3gp video

Created specifically for television to capitalize on the Beatles' success, The Monkees premiered in 1966, proving that "manufactured" media could still produce genuine hits and massive cultural influence. If 1964 was the year of the single,

Mike Nichols’ Who’s Afraid of Virginia Woolf? pushed the boundaries of what could be said and shown on screen, effectively sounding the death knell for the restrictive Hays Code (the industry’s self-censorship guidelines). Why It Still Matters Created specifically for television

With the release of You Only Live Twice , the James Bond craze reached a fever pitch, influencing everything from fashion to toy aisles. Music: The Year Albums Became Art

In 1966, television was undergoing a massive technical shift as networks moved toward full-color broadcasting. This vibrant new palette was perfectly suited for the year's breakout hits.